"Predestination" chronicles the life of a Temporal Agent sent on an intricate series of time-travel journeys designed to ensure the continuation of his law enforcement career for all eternity. Now, on his final assignment, the Agent must pursue the one criminal that has eluded him throughout time.
Genre : SF/Thriller
Country : Australia
Cast :
Ethan Hawke : De Barman
Sarah Snook : The Unmarried Mother
Noah Taylor : Mr. Robertson
Director : The Spierig Brothers
My opinion
“What if I could put him in front of you, the man that ruined your life. If I could guarantee that you’d get away with it. Would you kill him ?”
“What if I could put him in front of you, the man that ruined your life. If I could guarantee that you’d get away with it. Would you kill him ?”
"Predestination" is a masterpiece on a different level. The created atmosphere and especially the performances are eye-catching. The 70's are beautifully portrayed. The zeitgeist of that time with its authentic locations, fashion and music. But mostly, the performances by Ethan Hawke and for me the so far completely unknown Australian Sarah Snook made this film worth viewing. Ethan Hawke once again played a convincing role after his less memorable performances in "Getaway" and "The Purge". Not an easy part, but again one that suits him. Sarah Snook, however, is the one who steals the show and plays a fairly special role. Personally I found the reasonable long scene with those two characters in the bar, where Snook told her life story, preternaturally gorgeous. A fascinating story with delightful pieces of conversations and highly entertaining. It also takes over half of the film to complete and is the foundation that bears the whole story. After this, things start to unravel.
If there's a movie for which the concept "Mind Fuck" was invented, then it should be this one. A fascinating story. But it would be handy if they wrote a manual for it. Don't be daunted by the slow and stretched first part. It's there that the identity crisis of John is decomposed with surgical precision. The second part is dominated by the time travels and the resulting paradoxes. And then you'll understand the usefulness of the extended first part where all the pieces are manufactured, so they can be fitted into each other very subtle. Somewhere they gave it the name-tag a "retro-futuristic thriller" with also a bit of romance and humor. A film which is difficult to grasp, but definitely worthwhile. And now I have a reason to watch "Jessabelle". Sarah Snook, a name to keep your eye on.
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