Nederlands hier ... Genre : Thriller Country : USA Cast : JJ Feild : Moordenaar Eloise Mumford : Anna Max Minghella : Tom Miller
Director : Joe Johnston
Summary An office worker is trapped inside the building where a killer is on the loose.
My opinion Atrifleofan opinion forthistrifleofa movie. Without realizing it, I was watching a70-minute film.Itendedbefore Iknew it. Ifound it remarkablethat theintroductionwas so shortandit didn't take long before TomMillergot stuckon afloor in apharmaceutical companywitha killer. A thriller(with really almost no thrills) without bells and whistles.
Yet some respect for Joe Hohnston who in the past directed films like "Jumanji", "The Rocketeer", "Jurassic Park III" and "Captain America: The First Avenger", and then he finishes a simple low-budget straight-to-DVD movie. And also with a production company which released films like "Paranormal Activity", "Oculus", "Insidious" and "The Purge". A sticker on the DVD cover with these data on it and you have a guaranteed amount of film fans who expect a gem. I am convinced that a large part of them will be disillusioned.
So TomMilleris anoviceclerk who works in the legal departmentof a largepharmaceutical company. He's tryingto prove himself andwrites onhis own initiativea note abouta mafiafamily.However, this isnotappreciated by everybodyandhe is firedatthe end ofthe day. (Weare only5minutes far in the movie). Whenhe arrivesin the lobbywith his personalbelongings ina cardboard box, he witnessesa briefcaseexchangebetween someonewholeavesthe buildingandasecond person who looks like a businessman. Of course, hedecidesto followthe man andhe eventuallyends up onthe same floorwhere hehad justleft and herealizesafter atime he's stuck on this electronicallysealedfloor.
Whatwe getisa kind of "Die Hard" hostageinan officebut without a lot of action, gunfights andcomicaland entertainingdialogues. It's a catandmousegame whereall the charactersaremostlyrunning and creeping around back and forth. OnlyJJFeild,asthecold-blooded killer, made an impressionin terms ofacting.Until the lastmoment, he remainsadmirablycalmandhegives the impressionto have situationcompletely under control. Therest of the company just put on a mediocreactingshow.
Is itsuch a badmovie ?Nonot really.I found itfascinating towatch. As long asyou don't expectsome pronouncedaction, thoughtfuldialoguesandsophisticatedput together storyline, it'll increaseyourappreciationlevel. Idon't know ifitis intentional, butthere reallyare noexplicitorgorymurderscenes.The shortplaying timeisanotherplus.That wayyou won't get theopportunity to get annoyed aboutcertain things. Conclusion: Astraightforwardlow-budgetthrillerwithveryfew surprisesortwists, but still enjoyable in a certain way.
Genre : Biography/Crime Country : USA Cast : Spencer Lofranco : James Mary-Louise Parker : Tracy James Woods : Lt. Falton Ving Rhames : Conrad
Director : Trevor White
Summary The true story of James Burns who, as a teenager goes from the suburban street gangs of Denver to a maximum-security prison cell surrounded by hardened criminals. In this unlikely setting, will James emerge with hope and a brighter future?
My opinion
Now you keep writing. It don’t matter about what, it don’t even matter if it’s good or not.
Yet another moralizing "boy-on-bad-path-comes-to-reflection" story. There are probably several such individuals of whom a story could be told. Despite the fact that this is a story based on true events, it is a film stuffed with cliche elements. It will be an inspiration for some, but that was the movie "Life of a King" with Cuba Gooding Jr.. too. Only the latter was more convincing and credible. James Burns looks more like a member of "The Backstreet Boys" or a modern parody of James Dean, with his clean-shaven appearance and perfect hairstyle. Hopefully the air conditioners worked on maximum in the cinema, so that they didn't need to evacuate massively fainted teenage girls.
James Burns ( Spencer Lofranco ) is a troubled boy who has spent most of his youth in institutions and already running around with an ankle strap at the age of 14. He has an impressive long criminal record, including threatening his mother's boyfriend with a knife. His single mother Tracy (Mary - Louise Parker) does everything to get him back on a by society accepted track. Only James feels misunderstood, and he lacks the will to tackle his life in a different way. As a result, he derails soon and begins again with loitering, truancy, smoking joints and eventually participate in robbing a local store. There he meets Crystal (Rosa Salazar), the local mattress of the neighborhood, who introduced him to Roc (Michael Trotter), a local gang leader and drug trafficker. Because of his sturdy and apparently fearless attitude, James gets more respect from Roc who is promoting him to his right hand after a certain period of time. Yet James tries to get his life back in order and he meets Sarah (Taissa Farmiga), the daughter of the owner of the local store they have previously robbed. Eventually it goes wrong anyway and James ends up in jail. His tough and self-destructive attitude crumbles there slowly. Partly caused by Conrad (Ving Rhames) who's been sentenced to life and tries to convince James not to end up in the same way.
Besides the clichecontent, alsothe implausibleperformance of Lofrancois a setback. He doesn't look like a self-destructive and menacingmobster. Several timesI foundit a bitridiculousasthisgood-looking teen idol waves around with a heavygun at afierce lookinggangster. ImmediatelyI associateditwith the arrest pictures of"Justin Bieber". Also such an angelicface.In general, the acting performanceofLofrancowasn't that bad. Justhis looks didn't fit.Obviously wehave a mother who'll never give up and stillhas a littlehopethat her sonwill stillcometo his senses, but eventuallyrealizes it's hopeless. Also a girlfriendappears andnaturally she introduces him to the wrongfriends anddragshim intohis downfall.
Prison life is of course a battleground with different rival gangs and a rather impressive tough gang leader (Taboo from The Black Eyed Peas) of whom, how is it possible, James isn't impressed. That makes that they end up in a fight regularly. The pathetic newcomer also has to be present. Again it's someone who looks like he wouldn't even hurt a fly and the tough guys start harassing him. James of course comes to the rescue for this weakling. And then there's the savior in the form of Ving Rhames. A figure that looks like a steamroller who would crush you effortless to serve as fillings between his sandwich, but repentance came while in prison and he dreams of Rio de Janeiro and the huge statue with spread arms on top of a mountain ... sigh . Eventually, he manages to convince James to change gear. So James subsequently emerge as a future poet and he starts to write down deeply human rhymes. We get the well-known images of someone writing down something diligently, then thoughtfully looking into infinity for a few seconds and then writing enthusiastically again.
"Jamesy Boy" is atypicalstory. You start wondering ifit really was necessary to make a movie about it. Thereare so many otherlike Jamesinthe world. The only beautiful momentswere thequiet andfragileones with JamesandSarah. Tomorrow I'llforget allthisandin the future asitis broadcastedonce again on some television-channel, I will think deeplywhether I've seenitor not.
Nederlands hier ... Genre : SF//Drama Country : US Cast : Caroline Dhavernas : Becky Snyder Adrian Grenier : James Palmer Kerry Bishé : Lily Palmer Ben McKenzie : Nick Randworth Director : Denis Hennelly
Summary James and Lily live off the grid, raising their young daughter in a cocoon of comfort and sustainability. When a mysterious mass text ripples its way across the country, triggering a crippling, apocalyptic cyber attack, their home transitions from sheltered modern oasis to a fortress for the estranged old friends that show up at their door for protection and community. The unexpected reunion--abundant with revelry and remembrances, generously enhanced by organic wine and weed--is quickly undermined by the slights of the past, the spark of lingering flirtations and the threat of a locally grown new world order. Balancing tense confrontations with slivers of levity, director Denis Henry Hennelly pinpoints a future where ideology explodes into action in every area.
My opinion
If Iever have togo through an apocalypseduringmybrief existencehere on earth, I hope it's one thattakes the formasshown here in"Goodbye World". Theapocalypse, which wastriggered bya rapidlyspreadingvirus ina textmessage, looks prettyharmless. A fewfragments of a panicking andrebelliouspopulation. Actuallythese areimages thatwe getto seeeverydayin the media. In the distanceyou can see a huge cloud of smoke. Thentwolostsoldiersshow up whosupposedlywant to set upabase campandthere is acommunein the vicinitywho claim the righttoget some medicines. It's ratherthe relationshipsbetweenthekey playersthat areapocalyptic. It looks like this movie is thefinal yearassignmentfrom "ThePhilosophers" , applied in practice.
"Goodbye World" is actually about a reunion of some 30'ers who grew up together but eventually went their own way over time. James (Adrian Grenier) and Lilly (Kerry Bishe) are two modern hippies who anticipated that such a global catastrophe would happen and have withdrawn themselves, along with their lovely daughter Hannah, somewhere in the mountains and build a kind of eco-house. An ordinary house with enough stock, medicine, horticulture and energy facilities. The day that the text message "Goodbye World" is sent around the world and a global cyber attack begins so all telephone communications, data communications and electricity supplies fail, Nick (Ben McKenzie) and Becky (Caroline Dhavernas) arrive. Nick is a former business associate of James and had a relationship with Lilly in the past. They also welcome the following old friends : Benji, a radical who did some time in prison for arson and in the meantime gives spirited lectures, Ariel (a sort of groupie of Benji) accompanies him, Laura is an associate in politics and apparently had a sex scandal with some senator and Lev is an intellectual computer expert who could well be the cause of this global cyber attack.
Everything startsin a relaxedand friendly way. Itlooks like anordinaryreunionwithquite a bit of drinking during dinner, while raking up old memories. Also,itseems as if they are constantly making use of thehome-grownmarijuana out of the greenhouse. At timesit seems likeeveryoneis lookinghigh after smoking cannabis. After a whiletempersstartto riseandthe mutualconversationsbecome snappy and razor sharp. Everyoneis starting to realizethat the otherchanged over timein a certain wayand theopinions are no longersynchronized. Eventually weend up ina cacophony ofendlessdrivelandphilosophizing about politicalopinions andpersonal issues.
I found itstrange thatdespite the factthat there isapparently asocietyfalling apart, amotorcycle gang has taken over thelocal grocery storeand charge abnormallyhigh prices, plus two soldiersshow up waving their weapons frightfullyaroundand use threatening language,theyneverthelessspend their time in a hot tub in thegarden and chat aboutthe growth ofhair on atesticle. Theapocalypse thatis going onat that time, suddenlyseemsa banalandtrivialevent.I couldnot get ridofthe impression thata cyberattack will notbe the cause of our worldgoing down, butrather theterriblenavel-gazing and the enlargement ofpersonal issuesof somenarcissisticindividuals will do it.
"GoodbyeWorld" isroughlynot morethana boring movie with lots of discussions and aconflictthat ismoresituatedintherestricted groupthan insociety itself. There isa grand total offiveminutesof actionin the wholemovie, solittletoothpicksfortheeyes canbe usefuland necessary.
Summary Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS? Genre : SF/Romance/Drama Country : US Cast : Joaquin Phoenix : Theodore Scarlett Johansson : Samantha Amy Adams : Amy Director : Spike Jonze
My opinion
"The past is just a story we tell ourselves.” Feeling lonely. Abandoned. And then there is that moment you get to know someone. The chemistry that is created. The moments you will experience together. The laughter and tears. You discover things together. The other one makes you discover yourself. A trip. A night out. The passion. The confidence that starts to grow. The good times and the less pleasant moments. The moment you realize that you can't live without the other. The moment you get the impression that you've outgrown each other. The gnawing feeling of jealousy. Realizing that she's cheating on you. The reconciliation time. The final separation ... The older you get, the more you are familiar with some of these facets of a human relationship. Some won't agree herein. For young people it's usually unknown territory. For them this is probably a boring and ridiculous film. To me, all those human emotions appeared in "Her". A brilliant compelling film which shows what human feelings are and what the consequences are. Magisterial, masterful, magical and subtly portrayed.
The sensitive and single Theodore Twombly (Joaquin Phoenix) works for a "dot-com" company that posts handwritten letters to family members, friends or partners on all sorts of things. Apparently an item that is missing in this future society, as all communication is done electronically . He himself is in a fairly emotional stage. He's still dealing with the fact that his wife left him recently. In an impulse , he buys a new artificial intelligent system from Element Software. OS1. An intuitive entity that listens to you , understands you and knows you after a while. This entity is revealed as Samantha. An understanding, gentle and charming sounding computer voice (Scarlett Johansson), which nestles itself in the daily life of Theodore. A computer program that starts to create an awareness and passes the boundary between artificial intelligence and human awakening after a certain time. The image of Samantha that Theodore has, gradually changes from a gimmick or gadget into a soul mate and someone with whom he could share his life. He's falling in love in other words.
Is "Her" a romcom, a SF or a comedy ? Basically it's a mix of all three, with a generous portion of ingredients from every genre. Of course there are elements in this film that are known from a romcom. An impossible love with the necessary consequences. There are clearly SF elements in it such as a constant connection with the available information-technology, the IT devices used and the wall-to-wall 3D game that Theodore plays all evening. Even Samantha can be compared with the famous current "Siri" application. It's a selfish and really lonely society where every individual lives in his/her own virtual world. It's kind of creepy since this future world is almost as similar as our society nowadays. Today, no one can live without their smartphone, personal computer with email capabilities and social media. The computerized world as we know it today, can't live without the artificial intelligence. And occasionally the film is also quite laughable in a hilarious way ( the cyber-sex that Theodore has with Sexy Kitten and a dead cat playing a key role in it) and sometimes in a mocking, biting, sarcastic way ( the picnic where everyone converses with Samantha as if she was there in the flesh) .
Joaquin Phoenixplaysin an outstanding waytheemotionally distraughtTheodore. Not an easytaskas his rolemainlyconsistsin showing emotions just with the use of facial expressions. YetI found itmasterlyand sometimesmoving to see him swingingback and forth betweendifferent emotions. Ditto forScarlettJohansson. Despitethe fact that weonly hearher voice, shemanages to show the properemotion.The only visual thing we see, is the reaction ofTheodore. And whata beautifulvoiceshe has. Pepperedwiththe right keyandtimbrethat matches thefeeling at that time. Fromcheerful andfunny, totroubled,hurt andjealous.All this with awarm, sultryand sometimeshoarse voice. You fall in loveinstantly. Had myGPSsuch a voice, I wouldmakea lot ofmileageonmy car.
Conclusion:Agreat movie. A compellingfilm. A film thattouched me. A film aboutthe relationship between aman and apiece of software. Butalsoa warning for theevolution towardsa lonelysocietywhichthreatens todilute the realdeephumancontacts. A must-see movie anyway!
This is a beautifuldescriptionI found on a website called "Rutger in de filmclub". Icouldn't resistto quote it: "Her" is totally implausible if you can't surrender to the movie. If you do that, you just get lost in this dreamy world of Jonze, which combines subtle sci-fi with an old-fashioned atmosphere. When you believe in Samantha, you will naturally begin to see this OS as a woman. Scarlett Johansson's voice is enough to melt a man's heart. Try not to fall in love. You lose.
Nederlands hier ... Genre : Action/Thriller Country : UK Cast : Dougray Scott : Lewis Shaler David Schofield : Peter Carmichael Iddo Goldberg : Jan Klimowski Director : Omid Nooshin
Summary A small group of everyday passengers on a speeding London commuter train battle their warped driver who has a dark plan for everyone on-board.
My opinion
"Speed", but this time a trainin a leading role somewhere in England,instead of abus. Thatmeansthat theredefinitelywon't be one surpriseelementand that is thesuddenswerveto anotherlane or turning into a different road. This train drives itspredeterminedroutefrompoint A to B.No personwill or canintervene. The only thingthatpossiblycould occuris anunexpectedobstacleon the track. This alsooccursexactly oncein"LastPassenger". This event doesn't even threaten to derail the onrushingtrain. In otherwords, this film isas exciting as a pair of old underpantswornbysomegrandmother.
The trainwith which Lewisand Maxreturn home, is unexpectedlyhijacked bya crazypersonwith suicidal tendencies. You will only see thissuddenlyemergingnewdriver, in a flash. The reason that brought him tothis action is something you can only guess about. There's not even a brief explanation about that.An ill-disposed politicianperhaps, ora peaceprotesterwhowants to makeastatement? I haven't got a clue. What you getas a result isa groupof 6 peoplewhorushfrom one endofthe train tothe other end, looking for asolution and away toget themoving traintostop. And then we geta kind ofincrediblyimplausible"Die Hard" ending as apotheosis, whenLewis has aheroicmomentin whichheremainsmiraculouslyintact. I can'revealtoo muchof course, otherwisethere remainsabsolutely nothingfrom thisslightaverageaction thriller.
Isthere reallynothing positive to say about thistiny film? Of course! In the firstplace, it's a relativelyshort filmof about97minutes.So it's a kind of an evening filler when there's nothingon the tube. And the interactionbetween thesix remainingpassengersis furtherelaboratedin a proper mannerand it's interesting to get to learn the differentcharacters in thecourse of the film. SurgeonLewisShaler(Dougray Scott) is togetherwithhisson Max(Joshua Kaynama) on the way home with a night train. He is asingle fatherandduring the journey he getsa call that heshould report to the hospitalto operate a victim of a traffic accident. Maxaccidentallybumps into SarahBarwell(Kara Tointon) andthis lovely ladyspillsher coffee all over herself. That isthe beginning ofa buddingromance betweenSarahandLewis.
KaraTointon has a gracefulappearancewith themostcharming smileever. That's the least youcan say.Shehas suchcharismamostmenfall immediately for. In otherwords, Kara is atasty looking girl. Then weget to know the quitearrogantJanKlimowski(Iddo Goldberg) who looks very suspicious in the beginning, thedistinguishedPeterCarmichael(David Schofield) who's lecturingall the time andElaineMiddleton(LindsayDuncan) who is a kind of stoiclady andonlywould be surprisedaboutthe fact that shedroppeda stitch in her knitting.With this company of six people, we have to put up till the end of thiscrazy ride.
"LastPassenger" is an attemptto presentan excitingaction but doesn't succeedin this. Ultimately,it is onlyan abnormaltrain ridewith a groupof peoplewho are forced toput up witheach other andgraduallyget to know each other better. It's just a matter of killing time duringa train ride... How appropriate ...
Genre : Action/Drama/Thriller Country : USA Cast : Colin Farrell : Victor Noomi Rapace : Beatrice Dominic Cooper : Darcy Director : Niels Arden Oplev
Summary Victor, a rising gangland player, has infiltrated the crime empire run by ruthless kingpin Alphonse, with the single purpose of making Alphonse pay for destroying his once happy life. As he meticulously orchestrates his vengeance from his high-rise home, Victor watches and is watched by Beatrice, a mysterious young woman who lives in the apartment across from his. On the surface a fragile woman-child, Beatrice seethes with a rage of her own. When she uncovers Victor's dark secrets, she threatens to expose him unless he helps her carry out her own campaign of retribution. Each fixated on avenging the past, they devise a violent and cathartic plan that could change their worlds forever.
My opinion
“I didn't kill you because they've got you.”
A squared revenge. You could summarize this crime/drama like that. Victor (Colin Farrell) is a man who has already infiltrated some time in a corrupt gang, run by Alphonse (Terrence Howard), a not so kosher developer. They are responsible for the death of his daughter and asked an Albanian gang to scare them a bit, after the couple wanted to take legal actions. His wife is killed by the Albanians and they leave him for dead behind. The only goal in Victor's life is to make the gang , and mainly Alphonse, suffer with as much pain as possible, for the death of his family.However all his planning gets deranged by the hands of his opposite neighbor Beatrice (Noomi Rapace), who had a severe traffic accident in the past which was caused by a drunk guy. The drunk guy got a light sentence and merrily continues his dissolute life. But Beatrice is maimed for life and has painful scars, both physically and mentally, as a result. Beatrice has evidence in the form of a film on her cell phone that shows how Victor strangled someone in his apartment. She uses this to blackmail Victor, so he would murder the man responsible for the accident.
"DeadManDown" has apromising startwith thegloom, despairand the feelings of revenge as a central subject.Itall looksgloomy andmysterious. Not only the two characters Victorand Beatrice take credit for that , but also the used environmentandimages. The apartmentVictorthat looks poor and sober, the fragmentsin the cemeterywherethelight from aflashlight is used while searching for thegraves ofaHungarian family, the phone call in the evening oftwoneighborson their balconyon the top floor. Everything issoaked in apool ofmelancholy anddeep-rootedsorrow out of whicharises an intensefeeling of hate.
ColinFarrellis ideal for this role. He has such asadlook thatperfectlysuits thepersonVictor. He must be extremelycold-bloodedand reservedso he canempathize withhis roleas a member ofthecriminalgang.The sadand silent part of him is againan expression ofhisimmensegrief overthe loss hehas suffered.At timeshereminded me ofRyanGosling in"Drive". Astrong pieceof actingwas whenhe rejectsBeatrice in such a way thathe cancompletehis mission.The combination of determination andhelplessnesswaswonderful to see.
Noomi Rapace, who plays Beatrice, is a kind of replica of him. Just as Lisbeth Salander in "Män som hatar kvinnor" she's a tormented and emotionally marked woman who wants to take revenge on those who have done something to her. Salander took revenge on a perverse and abusive lawyer, while Beatrice on a drunk driver who despite the heavy facts escapes from a heavy punishment. Beatrice is not only scarred emotionally, but also physically . The heavy traffic accident has caused scars in her face, and some surgical procedures were necessary to make her presentable. Initially she seems to be an unperturbed and ruthless person, who is not afraid to extort Victor and use him as a tool to reach her goal. Gradually she evolves into this compassionate and concerned person. The somewhat bizarre relationship that ultimately flows between these two people is touching. However, the friendship shared with Victor Darcy was much more convincing than those with Beatrice . The opening and closing scene was a clear proof of that.
NielsArdenOplevalso happens to bethe director of "Män som hatarkvinnor". It was the breakthrough for NoomiRapaceas an international star playing LisbethSalander. Also an honorablemention forIsabelleHuppert who played the half-deaf mother of Beatrice. A fairlyannoyingnosy woman who tried to hook up Victor withherdaughter all the time. A terriblemomentwhenshepulls outthephoto albumto showwhat abeautyBeatriceactuallywas. Superblyplayedanyway.
How convincing and sometimes impressive the beginning of this film was, so terribly quickly it went downhill towards the end. There were some things I had second thoughts about. First, I didn't think the mutilations of Beatrice were that severe that you could see her as a freak or a monstrous person. In my eyes there was still something sweet about her and she was an amiable woman who looked charming. A bit exaggerated to my findings. The moment the recording, that Victor made of a brother of one of the Albanians, was played, was so coincidental and terribly well-timed that it turned out to be completely implausible and ridiculous. That such a dark and melancholy film with a perfectly balanced morbid atmosphere can turn into a purely cheap action-packed monstrosity with all the clichés of a Schwarzenegger / Stallone action-movie of the 80, was a huge disappointment for me. The end was like an A-team fragment of a jeep crashing into a mansion with huge explosions as a result, an exaggerated display of guns shooting around and loads of ammunition being used with gang members falling down everywhere, a terribly hilarious scene where the two leaders shot each other at the right time and the obvious ending with two bosom friends looking each other in the eyes like rivals. A typical Hollywood spectacle not worthy for this kind of movie. Like in the old musketeer films it was one-against-all again.
"DeadManDown" had a promising start butdughisown demiseby alousy andrattlingend. Oplev was hoping foran Americansuccess likehis compatriotRefn, butthis will nothappenwiththisordinary film.